Here Today Gone Tomorrow

2002
Stone
450 x 120 x 120 cm
Edition of 1

Here Today, Gone Tomorrow appears to have been subject to wind and water erosion resulting in its smooth, rolling and topographical form. Cragg’s use of natural stone compliments his desire to portray organic forms. The eroded forms and the title of this work symbolise the temporality found in nature and in human life. Here Today, Gone Tomorrow represents an evolution towards Cragg’s series of Rational Beings. Stacking and layering formed the early works of this series and he began to explore the effects of centreing his architectural pieces around variable axes. Here, figures and profiles are not quite present. However, this work presents a marked shift from the stacking and layering of recognisable objects to unified columns of organic forms, producing small ellipses, later developed in his series of Rational Beings.

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About The Artist

Tony Cragg began making work at a time when Minimalism and Conceptual Art were developing rapidly. As such Cragg recognised the need to produce work that developed 'an alphabet of sculpture' from pre-established conventional art materials and techniques. In the 1970's his works were mostly made with found objects through which Cragg questioned and tested material possibilities. Later pieces demonstrated a shift of interest to surface quality and how this could be manipulated through unlikely juxtapositions of materials such as bronze, steel, plastic, rubber, glass, wood, plaster and more. These found works developed into a series of fabricated vessels, which he titled Early Forms in which Cragg’s interest was in the idea of a container as metaphor for the body. His later works, known as Rational Beings, develop this interest into a series of articulated columns, no longer concerned with the organic, but with the dynamic. In these works profiles emerge and disappear from their surfaces and thereby push towards a new abstracted understanding of the human figure. Recently he has been confronting notions of compression and expansion in his works where recognisable forms such as facial profiles, although distorted, become apparent. These works have an almost futuristic element to them, reminiscent of technology synonymous with 3D printing or engineering more familiar at NASA.

Tony Cragg

Born: 1949

Other Artworks by Tony Cragg at CASS

2003

Tongue In Cheek

To be ‘tongue in cheek’ is to be glib, humorous and light–hearted. This sense of lightness is suggested by the perforati…

2005

Declination

Declination is one of the works from Tony Cragg's Early Forms series that is elevated from the ground. The sculpture has…

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